PUCCINI La rondine, The Royal Opera, Covent Garden
Edgaras Montvidas’s incarnation of the poet Prunier is vivid and resonant…
Michael Church, The Independent, 8 July, 2013
air, to take centre stage with some of the panache that was missing elsewhere…
Richard Fairman, Financial Times, 9 July, 2013
Erica Jeal, The Guardian, 8 July, 2013
George Hall, The Stage, 9 July, 2013
persuasive character, a charming poseur forced by the heart to drop the pose…
Russ McDonald, Opera, September, 2013
STRAVINSKY The Rake`s progress, Scottish opera
The cast is a mixed bag, but Edgaras Montvidas`s handsome, jucy-toned Tom is one of the most convincing I have seen.
Hugh Canning, Sunday Times 25 March, 2012
Tim Ashley, The Guardian 18 March 2012
Anna Picard, The Independent, 25 March 2012
Opera Britannia, 21 March 2012
VERDI Rigoletto, Opera North
…Edgaras Montvidas shines as the smarmy, honey-voiced Duke.
Kate Molleson, The Guardian, 18 May, 2011
Rupert Christiansen, The Telegraph, 13 May, 2011
Sarah Urwin Jones, The Times, 13 May, 2011
Kenneth Walton, The Scotsman, 14 May, 2011
TSCHAIKOVSKY Eugene Onegin, Opéra de Lyon
The Lithuanian tenor Edgaras Montvidas gave Lensky youthful charm and a suave voice…
Erna Metdepenninghen, Opera, August, 2011
JoyceDiDonato – DivaDivo, Virgin Classics recording
The Lituanian Montvidas, Almaviva in the Barbiere item and Tebaldo in the Capuleti, has a tenor voice one would be particularly glad to hear more of.
Max Loppert, Opera, June, 2011
STRAVINSKY Le Renard/Le Rossignol, Aix-en-Provence Festival
Les voix sont superbes…le ténor somptueusement lyrique d’Edgaras Montvidas.
(The voices are superb…the sumptuously lyric tenor of Edgaras Montvidas.)
Le Figaro, July 2010
(Notable also in Renard is the presence of tenor Edgaras Montvidas, whose voice, although robust, swathes the song of the Fisherman (Rossignol) in poetry.)
Forum Opera, July 2010
DONIZETTI L’elisir d’amore, Scottish Opera, September 2009
Strong performances cemented the success of the production; however the star of the evening was undoubtedly Edgaras Montvidas, whose Nemorino was sweetly earnest and beautifully sung.
Rowena Smith, The Guardian, 24 September 2009
Richard Morrison, The Times, 25 September 2009
Edgaras Montvidas brings to Nemorino a sympathetic fragility with enough emotive power to evoke his ultimate triumph.